Generally, I bring the kit with me for a flat rate when hired as a cinematographer or camera operator, but if you just need a couple things along with my crew rate, I've got a more granular list with a la carte prices in a spreadsheet.
If you're in Nashville, I've got some of my kit up on ShareGrid, and I'm working on adding more. If you're just looking for great documentary film equipment but you don't need a DP, then hit the link below.
While it's tiny when stripped down, the C70 is extremely capable of cinematic quality capture and professional workflows. Codec options include 12-bit RAW, 10-bit 422 h.264 ALL-I Intra and Long GOP. With 4-channel 24-bit audio and timecode I/O, this Netflix-approved camera is ready for any level production.
I carry a Sony FX30 as a b-camera.
Sennheiser Audio
My Sennheiser ME 66 shotgun mic captures rich dialog when boomed and my AVX wireless lavalier kit is perfect for walk around shooting. A DJI mic wireless system functions as backup and additional wireless packs for more lavs or booming tiny but powerful Deity D4 cardiods
Aputure Lighting
A 1200D, 600D, 300x, 200x, F22x, B7c LED bulbs, and MC, softboxes and various methods of diffusion form a versatile kit for a variety of doc situations while remaining travel friendly, economical, and small crew capable with mobile app control.
Mavic Air 2s
I am an FAA-certified drone pilot and can fly my Mavic Air 2s under Part 107, and I've graduated from the Pilot Institute's ground school for small unmanned aicraft systems. My DJI Mavic Air 2s is capable of recording 5.4k 10-bit log footage on it's 1" sensor, and with 5 batteries, I have hours of air time.
