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Hire My Gear

Generally, I bring the kit with me for a flat rate when hired as a cinematographer or camera operator, but if you just need a couple things along with my crew rate, I've got a more granular list with a la carte prices in a spreadsheet.

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Rent My Gear

If you're in Nashville, I've got some of my kit up on ShareGrid, and I'm working on adding more. If you're just looking for great documentary film equipment but you don't need a DP, then hit the link below.

DJI Ronin 4D, Canon C70, Sony FX30

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I've got my foot While it's tiny when stripped down, the C70 is extremely capable of cinematic quality capture and professional workflows. Codec options include 12-bit RAW, 10-bit 422 h.264 ALL-I Intra and Long GOP. With 4-channel 24-bit audio and timecode I/O, this Netflix-approved camera is ready for any level production.

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I carry a Sony FX30 as a b-camera.

Professional Audio

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I've got shotgun mics to capture rich dialog when boomed, and my Deity Theos wireless lavalier kit is perfect for walk and talk shooting. A Rode Wireless Pro system functions as backup and additional wireless and on-the-fly solutions

Aputure Lighting

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Matthews grip hold a 1200D, 600D, 300x, 200x, F22x, T2Cs, PT1cs, B7c LED bulbs, and MC, softboxes and various methods of diffusion form a versatile kit for a variety of doc situations while remaining travel friendly, economical, and small crew-capable.

Mavic Air 2s

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I am an FAA-certified drone pilot and can fly my Mavic Air 2s under Part 107, and I've graduated from the Pilot Institute's ground school for small unmanned aicraft systems. My DJI Mavic Air 2s is capable of recording 5.4k 10-bit log footage on it's 1" sensor, and with 5 batteries, I have hours of air time.

© 2022 by Five Folds Creative LLC dba Tim Duggan Cinematography

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